Eddie Romero


His career spans three generations of filmmakers. His 1976 film "Ganito Kami Noon…Paano Kayo Ngayon?," set at the turn of the century during the revolution against the Spaniards and, later, the American colonizers, follows a naïve peasant through his leap of faith to become a member of an imagined community.

"Agila" situates a family’s story against the backdrop of the country’s history.

"Kamakalawa" explores the folklore of prehistoric Philippines.

"Banta ng Kahapon," his 'small' political film, is set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics.

His 13-part series of "Noli Me Tangere" brings Philippine national hero Jose Rizal’s novel to a new generation of viewers.

Romero's films, the National Artist citation states, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable."

Fernando Poe Jr.



Personal Life


Ronald Allan K. Poe was born on August 20, 1939 in Manila, Philippines, of Spanish, Filipino, and Irish-American extraction, the son of actor-producer-director Fernando Poe, Sr. of San Carlos City, Pangasinan (1916-1951) and Elizabeth Gatbonton Kelley (1918-1999) of Candaba, Pampanga. Poe Jr.'s parents were not legally married yet when he was born in 1939, which Poe, Jr.'s Filipino citizenship would much later in life be called into question as he was the illegitimate son of a non-Filipino mother, according to his political opponents who sought to disqualify him from running in a political race. Although, his parents later married in 1940. He was the second of six siblings, born after Elizabeth and before Fernando II (Andy), Genevieve (Jenny), Fredrick (Freddieboy), and Evangeline. His name at birth was Ronald Allan Kelley Poe; it was his brother Andy who was also given the name Fernando Poe.

Filipino actor Conrad Poe was his half-brother, the illegitimate son of the late Fernando Poe, Sr. by actress Patricia Mijares. The original family surname was spelled Pou from his grandfather, playwright Lorenzo Pou, a Catalan migrant from Majorca, Spain, who ventured into mining and business in the Philippines.

As his father was a famous actor, Poe had small parts in several movies of the 1940s. However, Fernando Poe, Sr. died in 1951 after rabis puppies licked his wounds. His mother, Bessie Kelley, was an American and sometimes called Elizabeth Kelley in some sources especially in Philippine press. His mother's parents, Arthur Kelley (WWI Army Corp of Engineer from Iowa, USA) was an Irish American who settled in the Philippines and Martha Gatbonton, a Filipina of mixed Kapampangan and Spanish heritage.

Poe finished primary education in 1953 at San Beda College. For high school, he went to San Sebastian College, Mapua Institute of Technology, and University of the East. After the death of his father, he dropped out of the University of the East in his sophomore year in order to work to support his family. He then adopted the screen name Fernando Poe, Jr.

He married actress Susan Roces in a civil ceremony in December 1968. They were later married in a church and among their primary sponsors were then President Ferdinand Marcos and First Lady Imelda Marcos. Mary Grace was their only child, an adopted one.

Although a well-known public figure, Poe had been very reclusive about his personal life. However, in February 2004, during the presidential campaign, Poe admitted to having sired a child out of wedlock. Ronian, or Ron Allan, was Poe's son by former actress Anna Marin. It was revealed that he also sired a daughter through former model Rowena Moran, Lovi who is now making a name for herself in the Philippine showbiz scene as a singer and actress.

Acting Career


Poe dropped out of high school to work in the Filipino film industry as a messenger boy, and was given acting roles in subsequent years. Starting as a stuntman for Everlasting Pictures, he was given a break and landed his first starring role in the movie Anak ni Palaris (Son of Palaris) at the age of 14. The movie was not a big hit. In 1957, the movie Lo Waist Gang made him popular, and the film was such a big hit that low-waist pants became a fad.

Known also as FPJ from his initials, Poe acted in a number of movies which depicted him as the champion of the poor and downtrodden. He also directed nine movies, under the pseudonym Ronwaldo Reyes. Reyes originated from the surname of his paternal grandmother, Martha.

He established FPJ productions in 1961 and later organized other film companies such as D'Lanor, JAFERE, and Rosas Productions. In 1963, he and Joseph Estrada testified against criminal gangs, known as the Big Four, who extorted money from the film industry. In 1965, he shared the lead in The Ravagers, a film depicting the United States and the Philippines working together against Japanese war time occupation. The film is considered one of the most influential Filipino films, and it helped establish Fernando Poe, Jr.'s status as a movie icon.

Poe became an award-winning actor and garnered the most best actor awards at the FAMAS. Among the movies that received awards were Mga Alabok ng Lupa (1967), Asedillo (1971), Durugin si Totoy Bato, Umpisahan Mo, Tatapusin Ko (1983), and Muslim Magnum .357 (1987).

Poe was dubbed as the "Da King" of Philippine movies because of his box office hits. He made over 200 films in his lifetime and ran a successful movie production firm. Among his famous movies include the Ang Panday series, Kahit Konting Pagtingin, Dito sa Pitong Gatang and Aguila. His last movie was Pakners which also stars 9-ball billiards champion Efren "Bata" Reyes.

Presidential Bid


Fernando Poe Jr., was the Koalisyon ng Nagkakaisang Pilipino (KNP)'s candidate for the 2004 presidential election. A public figure in his movie career and known for his charitable but unpublicized endeavours, he targeted his candidacy at the same poor whom he championed in his movies.

Poe accepted the nomination in December 2003 and was to be the standard opposition bearer for the Philippines' 2004 presidential election. Some accounts portray him as a reluctant candidate who was only prevailed upon to accept the nomination by his best friend, deposed former President Joseph Estrada. But other accounts say he was convinced to cast his bid for the presidency because of the overwhelming crowd that gathered for the first rally of the FPJ for President Movement at the Cuneta Astrodome in Pasay City.

Death


Poe was admitted to Saint Luke's Medical Center in Quezon City on the evening of December 11, 2004 after complaining of dizziness at a gathering in his production studio premise. He suffered from a stroke and slipped into a coma while being treated for a brain clot. Doctors described his condition as a cerebral thrombosis with multiple organ failure. He died at the age of 65 on December 14 at 12:01 am, without regaining consciousness. Friends and allies from the movie and political worlds were at his bedside. He left behind his wife actress Susan Roces and daughter, Mary Grace, and also his illegitimate son, Ronian, and daughter, Lovi.

The 9 day wake was attended by hundreds of thousands, with organizers claiming numbers as high as two million. The funeral procession drew tens of thousands who crowded the streets of Quezon City. He was buried in his family plot along with his father and mother in North Cemetery, Manila, Philippines.

Ismael Bernal

Biography


Born in Manila on 30 September 1938, Bernal is the son of Elena Bernal and Pacifico Ledesma. He studied at Burgos Elementary School, Mapa High School and at the University of the Philippines where he finished his Bachelor of Arts degree in English in 1962. After graduation he worked with Lamberto Avellana's documentary outfit before proceeding to France where he earned his Licentiate in French Literature and Philosophy at the University of Aix-en-Provence. He got his Diplomate in Film Directing in 1970 at the Film Insititue of India in Poona under the Colombo plan scholarhip. An active pariticipant in the struggle for artist's rights and welfare, Bernal was also a board member of the Concerned Artists of the Philippines and the Directors Guild of the Philippines, Inc. Until his demise, he remained part of DGPI, an organization that studies the role of film as an instrument of entertainment, education and development.

Artist


Ishmael Bernal is one person who truly loved the arts. He nurtured his passion for literature and theater by actively participating in the U.P. Dramatic Club while finishing a college degree. He is also an avid fan of classical music and the operas. During the 1960s, Bernal put up When It's A Grey November In Your Soul, in Malate which became one of the favorite watering holes of Manila's artists and intellectuals. Unfazed by its short live-success, Bernal put up Kasalo in Quezon City three decades later, which became the hang-out of students, journalists, poets, bands, theater and film artists.

Film Director


Bernal directed and wrote his first film, Pagdating Sa Dulo (At The Top), in 1971. In this film we catch a glimpse into what Ishmael Bernal's ouvre would prefigure for the industry: it is a scene showing an aspiring actress (played by the late Rita Gomez) pondering on dreams blooming in deserts of desolation and dying out in a mirage that painfully conjures images of squatter colonies and sordid lives. The bold star stares out into the landscape and scans it, with the camera acting as her surrogate, but finally framing her against the embarrassingly majestic Cultural Center of the Philippines. The scene captures it all: the decadence of the Martial Law regime, along with its perverse aspirations to art, has doomed the destinies of Filipinos. From that time on, Bernal has established himself as an innovative and intelligent filmmaker who would not be content with conventional formulas of local film making. Under his name is a broad range of film genres and themes: historical dramas like El Vibora (The Viper), and the Bonifacio episode in the unreleased Lahing Pilipino (The Filipino Race); sophisticated comedies like Tisoy (Mestizo), Pabling (Playboy), Working Girls I and Working Girls II; experimental films like Nunal Sa Tubig (Speck In The Water) and Himala (Miracle); and contemporary dramas exploring human psyches and social relationships, such as Ligaw Na Bulaklak (Wildflower), Mister Mo, Lover Boy Ko (Your Husband, My Lover), Ikaw Ay Akin (You Are Mine), Relasyon (The Affair), Aliw (Pleasure) and the film classic Manila By Night (or City After Dark). His sturdy filmography is mainly clustered around the themes and problems that inevitably encrust the "social" as the core of personal malaise.

Bernal considers himself a feminist director and admits that it is part of his interest to tackle issues affecting women. A large chunk of his work are stories about women and for women: Relasyon, Hinugot Sa Langit (1985), Working Girls, to name a few. Before Bernal died in Quezon City on 2 June 1996, he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines.

Philippine Television


Aside from film, Bernal also directed television shows like the long-time drama series Ang Makulay Na Daigdig Ni Nora (The Colorful World of Nora) for which he was named Outstanding Director in a Drama Series by the Patas Awards in 1979; Metro Magazine, Isip Pinoy, Dear Teacher and episodes for PETABISYON and Lorna. As an actor, he played lead roles in stage plays like Kamatayan Sa Isang Anyo Ng Rosas (Death in the Form of a Rose) in 1991 and Bacchae in 1992.

Bernal is a tireless and committed educator. He taught film direction to film students of the University of the Philippines and Polytechnic University of the Philippines. He has conducted film and theater workshops and directed plays for school-based theater groups. He has also collaborated with artists from different regions through BUGKOS, the national coordinating center for people's art and literature. A real art crusader, he supported and co-facilitated workshops and critic sessions for aspiring writers until his last days.

Achievements


He won the Urian for best director four times for Dalawang Pugad, Isang Ibon (Two Nests, One Bird), 1977; Broken Marriage, 1983; Hinugot Sa Langit (Wrenched From Heaven), 1985; and Pahiram Ng Isang Umaga (Lend Me One Morning), 1989; and the best screenplay for City After Dark, 1980. His film Pagdating Sa Dulo, won for him the FAMAS for best screenplay award while Himala (Miracle), 1982, garnered nine major awards in the Metro Manila Film Festival. In that same year, Bernal was chosen by the Manunuri ng Pelikulang Pilipino as the Most Outstanding Filmmaker of the Decade 1971-1980. Among the 10 best films chosen by the critics, five were his. These include Pagdating Sa Dulo, Nunal Sa Tubig, Manila By Night, Himala and Hinugot Sa Langit. He was also hailed as Director of the Decade by the Catholic Mass Media Awards (CMMA).

Bernal also won the CMMA Best Director Award (1983), the Bronze Hugo Award in the Chicago International Film Festival (1983) for the movie Himala. The Cultural Center of the Philippines presented him the Gawad CCP Para sa Sining for film in 1990. In 1993, he received the ASEAN Cultural Award in Communication Arts in Brunei Darrussalam.

Bernal, the daring artist, bohemian, and activist, undermined the established canons of the Philippine popular movies from within, created a void, and then filled it with cinematic excess, a hysteria tha was illuminating and iridescent.

Lino Brocka


Brocka was born in Pilar, Sorsogon. He directed his first film, Wanted: Perfect Mother, based on The Sound of Music and a local comic serial, in 1970. It won an award for best screenplay at the 1970 Manila Film Festival. Later that year he also won the Citizen’s Council for Mass Media's best-director award for the film Santiago.

In 1974 Brocka directed Tinimbang Ka ngunit Kulang, which told the story of a teenager growing up in a small town amid its petty and gross injustices. It was a box-office hit, and earned Brocka another best-director award, this time from the Filipino Academy of Movie Arts and Sciences (FAMAS).

The following year he directed Maynila: Sa mga Kuko ng Liwanag (Manila: in the Claws of Light), which is considered by many critics to be the greatest Philippine film ever made - including British film critic and historian Derek Malcolm [1]. The film tells the allegorical tale of a young provincial named Julio Madiaga who goes to Manila looking for his lost love, Ligaya Paraiso (which is Tagalog for "Joyful Paradise"). The episodic plot has him careering from one adventure to another until he finally finds Ligaya. Much of the film's greatness can be traced to the excellent cinematography by Mike de Leon, who would become a great Filipino filmmaker himself.

In 1976 Maynila: Sa mga kuko ng liwanag won the FAMAS awards for best picture, best director, best actor, and best supporting actor.

Insiang (1978) was the first Philippine film ever shown at the Cannes Film Festival. It is considered to be one of Brocka's best films — some say his masterpiece. The film centers on a young woman named Insiang who lives in the infamous Manila slum area, Tondo. It is a Shakespearean tragedy that deals with Insiang's rape by her mother's lover, and her subsequent revenge.

The film Jaguar (1979) was nominated for the Palme d'Or at the 1980 Cannes Festival. It won best picture and best director at the 1980 FAMAS Awards. It also won five Gawad Urian Awards, including best picture and best direction.

In 1981, Brocka was back at Cannes' Director's Fortnight with his third entry, Bona, a film about obsession.

In 1983 Brocka created the organization Concerned Artists of the Philippines (CAP), which he led for two years. His stand was that artists were first and foremost citizens and, as such, must address the issues confronting the country. His group became active in anti-government rallies after the assassination of Benigno Aquino, Jr..

The following year, Bayan ko: Kapit sa Patalim (Bayan Ko: My Own Country) was deemed subversive by the government of Ferdinand Marcos, and underwent a legal battle to be shown in its uncut form. At the 1984 Cannes Festival, however, it was nominated for the Palme d'Or. It garnered four honors at the 1986 Gawad Urian Awards, including best picture.

Brocka directed over forty films. Some of his other notable works are Macho Dancer (1988), Orapronobis (1989), and Gumapang Ka sa Lusak (1990).

In 1987 a documentary entitled Signed: Lino Brocka was directed by Christian Blackwood. It won the 1988 Peace Film Award at the Berlin International Film Festival.

On May 21, 1991 Brocka met an untimely death in a car accident in Quezon City, Metro Manila. In 1997 he was given the posthumous distinction of National Artist for Film.

Leandro Locsin


Culutural Center of the Philippines designed by Leandro Locsin


Life and Career


Leandro V. Locsin was born on Aug 15, 1928 in Silay City, Negros Occidental, a grandson of the first governor of the province. He later studied at the De La Salle Brothers in 1935 before returning to Negros due to the Second World War. He returned to Manila to study Pre-Law, before shifting to pursue a Bachelor's Degree in Music at the University of Santo Tomas. Although he was a talented pianist, he later shifted again to Architecture, just a year before graduating. He was married to Cecilia Yulo, to which he had two children, one of whom is also an architect.

An art lover, he frequented the Philippine Art Gallery, where he met the curator, Fernando Zobel de Ayala, who recommended Locsin to the Ossorio family, who was planning to build a chapel in Negros. Unfortunately, when Frederic Ossorio left for the United States, the plans for the chapel were canceled. However, in 1955, then University of the Philippines, Diliman Catholic Chaplain, Fr. John Delaney, S.J. commissioned Locsin to design a chapel that is open and can easily accommodate 1,000 people. The Church of the Holy Sacrifice is the first round chapel in the Philippines with the altar in the middle, and the first to have a thin shell concrete dome. The floor of the church was designed by Arturo Luz, the stations of the cross by Vicente Manansala and Ang Kiukok, and the cross by Napoleon Abueva, all of whom are now National Artists. Alfredo L. Juinio served as the building's structural engineer. Today, the church is recognized as a National Historical Landmark and a Cultural Treasure by the National Historical Institute and the National Museum respectively.

In his visit to the United States, he met some of his influences, Paul Rudolph and Eero Saarinen. It was then he realized to use concrete, which was relatively cheap in the Philippines and easy to form, for his buildings. In 1969, he completed what is to be his most recognizable work, the Theater of Performing Arts (Now the Tanghalang Pambansa) of the Cultural Center of the Philippines. The marble façade of the building is cantilevered 12 meters from the terrace by huge arching columns at the sides of the building, giving it the impression of floating. A large lagoon in front of the theatre mirrors the building during daylight, while fountains are illuminated by underwater lights by nighttime. The building houses four theaters, a museum of ethnographic and other temporary exhibits, galleries, and a library on Philippine art and culture. In 1974, Locsin designed the Folk Arts Theater, which is one of the largest single span buildings in the Philippines with a span of 60 meters. It was completed in only seventy-seven days, in time for the Miss Universe Pageant. Locsin was also commissioned to build the Philippine International Convention Center, the country's premiere international conference building and the seat of the Vice Presidency.

In 1974, he was commissioned to design the Ayala Museum, which housed the Ayala's art collection. It was known for the juxtaposition of huge blocks to facilitate the interior of the exhibition. Locsin was a close friend of the Ayalas. Before taking the board examination, he took his apprenticeship at Ayala and Company (Now the Ayala Corporation) and was even asked to design the first building in Ayala Avenue, and several of their residences. When the collection of the Ayala Museum was moved to its current location, the original was demolished, with Locsin's permission. The current building was dedicated in 2004, and was designed by the L. V. Locsin and Partners, led by Leandro Y. Locsin, Jr. Most of Locsin's work has been inside the country, but in 1970, he designed the Philippine Pavilion of the World Expo in Osaka, Japan. His largest single work is the Istana Nurul Iman, the official residence of the Sultan of Brunei. Locsin also designed some of the buildings at the UP Los Baños campus. The Dioscoro Umali Hall, the main auditorium, is clearly an example of his distinct architecture, with its large canopy that make it resemble the main theatre of the CCP. Most of his work is concentrated on the the Freedom Park, with the Student Union Building, once damaged by a fire, the Carillon, the Continuing Education Center and the auditorium. He also designed UPLB's Main Library, SEARCA Residences, and several structures at the National Arts Center (housing the Philippine High School for the Arts) situated at Mt. Makiling, Los Baños, Laguna. In 1992, he received the Fukuoka Asian Culture Prize from Fukuoka City.

Locsin's last work, ironically, was also a church in Malaybalay, Bukidnon. Leandro V. Locsin died on Nov 15, 1994 in Makati City. The campus of De La Salle-Canlubang, built in 2003 on a land donated by his family, was named after him.

Works


* Ayala Museum
* Complex of Social Welfare Agencies
- Population Center
- Nutrition Center of the Philippines
- Asian Center for Training and Research for Social Welfare
* Cultural Center of the Philippines - Folk Arts Theater
* Cultural Center of the Philippines - National Arts Center, Mt. Makiling, Los Baños, Laguna
* Cultural Center of the Philippines - Philippine Center for International Trade and Exhibitions
* Cultural Center of the Philippines - Philippine International Convention Center
* Cultural Center of the Philippines - Theatre of Performing Arts
* Expo '70 - Philippine Pavilion
* First National City Bank of New York Makati
* Hyatt Regency Hotel
* Istana Nurul Iman, Brunei Darussalam
* Mandarin Oriental Makati
* Manila Hotel (New Building)
* Makati Stock Exchange Building
* Ninoy Aquino International Airport - Terminal 1
* Philippine Plaza Hotel
* University of the Philippines Diliman - UP Film Institute
* University of the Philippines Diliman - Church of the Holy Sacrifice
* University of the Philippines Los Baños - Rizal Memorial Centenary Carillon
* University of the Philippines Los Baños - Continuing Education Center
* University of the Philippines Los Baños - Dioscoro L. Umali Hall
* University of the Philippines Los Baños - Main Library
* University of the Philippines Los Baños - SEARCA Dormitory and Hotel
* University of the Philippines Los Baños - Student Union Building

Pablo Antonio

FEU bulidings designed by Pablo Antonio


Early Life


Antonio was born in Binondo, Manila in 1902. He was orphaned by the age of 12, and had to work in the daytime in order to finish his high school education at night. He studied architecture at the Mapúa Institute of Technology but dropped out of school in order to assist in the design and construction of the Legislative Building (now, the National Museum of the Philippines).

Ramon Arevalo, the engineer in charge of the Legislative Building project, funded Antonio's education at the University of London. He completed a five-year architecture course in three years, graduating in 1927.

Works


Antonio first came into prominence in 1933 with the construction of the Ideal Theater along Avenida Rizal in Manila. His work caught the eye of the founder of the Far Eastern University in Manila, Nicanor Reyes, Sr., who was looking to build a school campus that was modern in style. Between 1938 to 1950, he designed several buildings on the university campus in the Art Deco style. The FEU campus is considered as the largest ensemble of surviving Art Deco architecture in Manila, and in 2005, it received an Honorable Mention citation from the UNESCO for the body's 2005 Asia-Pacific Heritage Awards for Culture Heritage Conservation.

Antonio also designed the White Cross Sanitarium (1938) along Santolan Road in San Juan City, and the Manila Polo Club (1950) in Makati City. He likewise designed the Ramon Roces Publications Building (now Guzman Institute of Electronics) in Soler Street in Manila, the the Capitan Luis Gonzaga Building, and the Boulevard-Alhambra (Bel-Air) apartments in Makati City.

Apart from the Ideal Theater, Antonio also designed several other theaters in Manila, including the Life Theater, the Scala Theater, the Lyric Theater, and the Galaxy Theater. As of 2008, only the Galaxy Theater remains standing, though it is threatened with demolition.

Appreciation


Antonio's architecture and its adoption of Art Deco techniques was radical for its day, neoclassicism being the dominant motif of Philippine architecture when he began his career. His style noted for its simplicity and clean structural design. He was cited taking taking Philippine architecture into a new direction, with "clean lines, plain surfaces, and bold rectangular masses. "Antonio strived to make each building unique, avoiding obvious trademarks.

Antonio was also conscious of adapting his buildings to the tropical climate of the Philippines. In order to highlight natural light and also avoid rain seepage, he utilized sunscreens, slanted windows and other devices.

Antonio himself has been quoted as stating that "buildings should be planned with austerity in mind and its stability forever as the aim of true architecture, that buildings must be progressive, simple in design but dignified, true to a purpose without resorting to an applied set of aesthetics and should eternally recreate truth" .

When he was named National Artist of the Philippines in 1976, he was only the second architect so honored, after his contemporary, Juan Nakpil.

National Artists of the Philippines

Architecture


Pablo Antonio


was a Filipino architect. A pioneer of modern Philippine architecture, he was recognized in some quarters as the foremost Filipino modernist architect of his time. He was conferred the rank and title of National Artist of the Philippines by President Ferdinand Marcos in 1976. read more...




Leandro Locsin


was a Filipino architect, artist, and interior designer, known for his use of concrete, floating volume and simplistic design in his various projects. An avid collector, he was fond of modern painting and Chinese ceramics. He was proclaimed a National Artist of the Philippines for Architecture in 1990 by President Corazon C. Aquino. read more...


Film



Lino Brocka


is known as one of the greatest film directors of the Philippines. Brocka was openly homosexual and many of his films incorporated LGBT themes into their often dramatic storylines. read more...


Ismael Bernal


was an acclaimed Filipino film, stage and television director. He is also an actor and scriptwriter. Noted for his melodramas particularly with feminist and moral issues his 1985 film about the justification of abortion Hinugot sa Langit is often cited as one of the greatest Filipino films of all time. read more...

Fernando Poe Jr.


was a Filipino actor and later politician, having run an unsuccessful bid for President of the Philippines in the 2004 presidential elections against the incumbent Gloria Macapagal-Arroyo. He was honored on May 24, 2006 with the title of Philippine National Artist through an executive order called Philippine Proclamation No. 1065, despite controversies surrounding his nomination. read more...

Eddie Romero


is an acclaimed and influential Filipino film director, film producer and screenwriter, considered one of the finest in the Cinema of the Philippines. Romero was named National Artist of the Philippines in 2003. read more...




Literature


Nick Joaquin


was a Filipino writer, historian and journalist, best known for his short stories and novels in the English language. He also wrote using the pen name Quijano de Manila. Joaquin was conferred the rank and title of National Artist of the Philippines for Literature. read more...

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Filipino Condiments


Achara

a sweet pickled papaya relish. Also used as a side dish.


Bagoong

fermented anchovy or shrimp paste, particularly popular in the dish kare-kare.


Banana ketchup

a sweet, red condiment made primarily of bananas.


Eggplant sauce

a sour sauce made of grilled eggplant, garlic and vinegar. Used in cocidos and as a side dish.


Liver sauce

used in roasts and the pork dish called lechon.


Patis

Sometimes spiced with labuyo peppers, or kalamansi lime juice, in which case it is called patismansi.


Sawsawang mangga

green mango relish with tomatoes and onions.

Sukang may sili

cane or coconut vinegar spiced with labuyo peppers.


Sukang may toyo

cane or coconut vinegar with soy sauce. This may also contain the very hot labuyo peppers and/or onions. Sukang may toyo is used in the pork dish crispy pata.


Sweet sour sauce

used on fried meats and spring rolls.


Toyo't Kalamansi

soy sauce with kalamansi lime juice.

Filipino Drinks and Cocktails


Alcoholic


There are a wide variety of alcoholic drinks in the diet. This includes brandy as Emperador Brandy is the local favorite. And also variations of them like Brandy-Iced Tea Powder a popular cocktail and a part of several cocktails of liqueurs and juice powders; and Brandy-Grape Juice Powder. Other different alcoholic beverages include rum as Tanduay is the local favorite. Another choice could be serbesa which is a translation for beer. The most popular choices in restaurants and bars are San Miguel Beer, Red Horse Beer and San Mig Light.

Several gins both local varieties like Ginebra San Miguel (as well as GSM Blue and GSM Premium Gin) and the "London Dry" imported types like Gilbey's are consumed. Other variations include Gin-Bulag which literally translates to "gin-blind." It is said that consuming amounts of it will make one blind; Gin-Pineapple Juice Powder, any kind of gin mixed with pineapple juice; Gin-Pomelo Juice Powder, any kind of gin mixed with pomelo juice; Gin-Guy Juice Powder, any kind of gin mixed with guyabano also known as soursop juice; Lambanog is a type of hard liquor made from distilled coconut extract.

Tuba (or toddy) is a type of hard liquor made from fresh drippings extracted from a cut young stem of palm. The cutting of the palm stem usually done early in the morning by a mananguete, a person whose profession involves climbing palm trees and extracting the "tuba" to supply to customers later in the day. The morning accumulated palm juice or drippings from a cut stem is then harvested by noon then brought to buyers then prepared for consumption. Sometimes this is being done twice a day so that there are two harvests of tuba in a day occurring first at noon-time and later in the late-afternoon. Normally, tuba has to be consumed right after the mananguete brings it over or it becomes too sour to be consumed as a drink so that any remaining unconsumed tuba in the day is being stored in jars for several days to become vinegar.




Shakes


Some shakes that are included in a Filipino diet are fresh mango shake consisting of ripe mangoes blended with milk, ice, and sugar; fruit shakes similar to milkshakes but only contain fruit or flavoring (usually containing Evaporated or Condensed Milk)crushed ice, Evaporated or Condensed Milk, and fruits like Strawberry (which is native in Baguio for it's cold climate), Melon, Papaya, Avocado, Watermelon, and the popular Mango to name a few but has rare fruits like Durian.



Chilled Drinks


Other chilled drinks include gulaman at sago a flavored iced-drink with agar gelatin and sago pearls with banana extract is added to the accompanying syrup; fresh buko juice drink from a young coconut where the coconut is penetrated to allow straw into the membrane allowing a person to drink its juice later opened afterwards to scrape and eat its tender flesh, which a variation of this is made out of coconut juice, scraped coconut flesh, sugar, and water; kalamansi juice juiced Philippine limes sweetened with honey, syrup or sugar; and other tropical fruit drinks that includes dalandan (green mandarin), suha (pomelo), piña (pineapple), banana, and guyabano (soursop). Oranges, apples, grapes, and mangoes are also preferred.

A different class off diet involving the use of shaved ice includes halo-halo which is a dessert featuring a wide variety of sweet ingredients with shredded ice, topped with sugar and milk; saba con yelo which is shaved ice served with milk and minatamis na saging ripe plantains chopped, and caramelized with brown sugar; and mais con yelo which is shaved ice served with steamed corn kernels, sugar, and milk.

Popular Filipino Dishes




Desserts




Filipinos cook a wide variety of sweet desserts and snacks. A Filipino cookbook includes several rice based deserts. One famous dessert is bibingka, a hot rice cake optionally topped with a pat of butter, slices of kesong puti (white cheese), itlog na maalat (salted duck eggs), and sometimes grated coconut. There is also glutinous rice sweets called biko made with sugar, butter, and coconut milk. Another brown rice cake is kutsinta. Puto is another well known example of sweet steamed rice cakes prepared in many different sizes and colors. Sapin-sapin are three-layered tricolored sweets made with rice flour, purple yam, and coconut milk with its gelatinous appearance.

Halo-halo can be described as a cold dessert made with shaved ice, milk and sugar with typical ingredients including coconut, halaya (mashed purple yam), caramel custard, plantains, jackfruit, red beans, tapioca and pinipig. Sorbetes is similar to ice cream but made primarily with coconut milk instead of dairy. It is colloquially known in the Philippines as "dirty ice cream."

Requiring laborious attention, some spring rolls for example lumpia (of Chinese origin) are very popular. Lumpia can be described as fried spring rolls filled with cooked ground meat and vegetables. In one such variation, lumpiang shanghai are prepared like cigars but filled with a combination of minced pork and shrimp. Lumpia is often accompanied by either sweet and sour sauce or vinegar based condiment. Lumpia has been commercialized in frozen food form and though various restaurants. Similarly, turon could be described as a fruit version using sweetened bananas (plantains) and sometimes jackfruit fried in an eggroll or phyllo wrapper and sprinkled with sugar. All in all, both are consumed at leisurely pace.

There are other Filipino deserts and snacks. As a dessert, leche flan is a type of caramel custard made with eggs and milk similar to the French creme caramel and Spanish flan; mamon is a dense buttery sweet sponge cake; palitaw are rice patties covered with sesame seeds, sugar, and coconut; pitsi-pitsi which are cassava patties coated with cheese or coconut; and tibok-tibok is based on a carabao milk as a de leche (similar to maja blanca). As a snack, binatog is created with corn kernels with shredded coconut. Packaged snacks wrapped in banana or palm leaves then steamed, suman are made from a sticky rice.



Street Foods


Filipino's have their own repertoire of street food. Some of these are skewered on bamboo sticks like a shish kebab, which recipes mimic this presentation closely. One such example is banana-cue that consists of a whole plantain skewered on a stick, rolled in brown sugar, and fried. Kamote-cue is a peeled sweet potato skewered on a stick, covered in brown sugar and then fried. Fishballs or squidballs are skewered on bamboo sticks then dipped in a sweet or savory sauce to be commonly sold frozen in markets and peddled by street vendors.

As a warm soupish like snack, taho is made up of soft beancurd which is the taho itself, dark caramel syrup, and tapioca pearls with cold (dark syrup) and flavored with chocolate or strawberry. The pearls used come in various sizes and proportion and stand out. It been served by many street vendors who often yell out "taho" in the neighborhood like Americans who yell out hotdogs and peanuts in sporting events.

Egg street foods include kwek-kwek that are soft boiled quail eggs dipped in batter that is usually dyed orange then deep fried. In contrast, tokneneng is larger but similar to kwek-kwek in that it is made with chicken eggs. Filipino egg snacks include balut that is essentially boiled pre-hatched poultry eggs, usually duck or chicken. These fertilized eggs are allowed to develop until the embryo reaches a pre-determined size and are then boiled. There is also another egg dish calle d penoy that is fertilized duck eggs. Like taho, balut is advertised vocally. Consuming balut by some involves sucking out the juices.

Other street food include betamax that is roasted dried chicken blood served cut into and served as small cubes for which it received its name in resemblance to a Betamax tape. Isaw, is another street food, which is seasoned hog or chicken intestines. Then there is Pinoy Fries which are fries made from sweet potatoes with the same tenderness of french fries but take on a more rounder presentation in contrast to stringy appearance in french fries.



Pastries



In a typical Filipino bakery, pandesal and ensaimada are often sold. Pandesal came from the Spanish pan de sal (literally, bread of salt) and is a ubiquitous breakfast fare, normally eaten with (and sometimes even dipped in) coffee. It typically takes the form of a bread roll, and is usually baked covered in bread crumbs. Contrary to what its name implies, pandesal is not particularly salty as very little salt is used in baking it. Soft, chewy pandesal is much preferred to a crusty one, a holdover from the days when cheap, low-grade flour was used to cut costs. Ensaimada, also spelled as ensaymada from the Spanish ensaimada, has been altered much to suit the Philippine palate producing a pastry with a soft and chewy texture. It can be made with a variety of fillings such as ube (purple yam) and macapuno and often topped with butter, sugar and shredded cheese. Other food sold in Filipino bakeries include pan de coco a sweet bread roll filled with shredded coconut mixed with m olasses. Other breads like putok, which literally means "explode," refers to a small hard bread roll whose cratered surface is glazed with sugar.

There are also rolls like pianono which is a chiffon roll flavored with different fillings. In a different roll, brazo de mercedes is similar to a rolled cake or jelly roll and is made from a sheet of meringue rolled around a custard filling. Similar to the previous dessert, it takes on a layered presentation instead of being rolled and typically features caramelized sugar and nuts for sans rival. Similar to both the two previous desserts mentioned, it has different texture due to the addition of sweetened bread crumbs for silvañas. In a more delicate roll, barquillos takes on as sweet thinly crunchy wafers rolled into tubes that can be sold hollow or filled with polvoron (sweetened and toasted flour mixed with ground nuts).

Some Filipino pies, for example the egg pie is a mainstay in local bakeries, serving as a type of pie with a rich egg custard filling. It is typically baked so that the exposed custard on top is browned. The other pie, buko pie, is made with a filling made from buko (young coconut meat) and dairy. Mini past ries like turrones de dasuy are made up of cashew marzipan wrapped with a wafer made to resemble a candy wrapper but take on a miniature look of a pie in a size of about a quarter.

There are hard pastries like biskotso that feature as a crunchy, sweet, twice-baked bread. Another baked crunchy food is sinipit which is a sweet pastry covered in a crunchy sugar glaze, made to resemble a length of rope.

On the softer side, mamon is a very soft chiffon-type cake sprinkled with sugar named from a slang S panish term for breast. A soft cake like crema de fruta which is a more elaborate sponge cake, topped in succeeding layers of cream, custard, candied fruit, and gelatine. Related to sponge cakes is mamoncillo which generally refers to slices taken from a large mamon cake, but it is unrelated to the fruit of the same name. Sandwich pastries like inipit are made with two thin layers of chiffon sandwiching a filling of custard that is topped with butter and sugar.

Stuffed based foods include siomai similar to the Chinese shaomai and siopao similar to the Chines e baozi but larger and steamed bunned. The filling is often mixed with a sweet sauce made from soy sauce and sugar. Another dumpling empanada are pastries filled with savory-sweet meat fil ling. Typically made with ground meat and raisins, it can be deep fried or baked.



Main Course


There are several styles of stew dishes cooked by Filipinos. Some well-known stews are kare-kare and dinuguan. With kare-kare, also known as "peanut stew," the oxtail or ox tripe is the main ingredient that is stewed with vegetables in a peanut-based preparation. It is typically served with alamang (fermented shrimp paste). With dinuguan, it is created from pork blood, entrails, and meat and sometimes seasoned with red peppers, usually thai peppers. Mechado can be i ncluded in this list using pork cooked in tomato sauce, minced garlic, and onions, but goat meat can be used instead which would be then be turned into kaldereta. Varieties using other meats such as dog meat also exist. In afritada, the use pork or beef is simmered into a tomato sauce, typically with peas and carrots and of course potatoes in similar cut size to the pork. Different vinegar-based stews using milkfish, pork hocks, or even leftover lechon are called paksiw. Although paksiw is made using the same ingredients as adobo, it is prepared differently in that it is not stirred as it simmers, resulting in a different flavor as the vinegar is cooked first. On the sweetness scale, pochero makes use of beef and banana or plantain slices simmered in tomato sauce as its name is derived from the Spanish cocido.

Foods with strong green leafy appearance are dinengdeng a dish consisting of malunggay leaves and slices of bittermelon, and pinakbet which is stewed in vegetables heavily flavored with bagoon g. In balance to color, the traditional tinola has a strong chicken presence accompanied by a ginge r soup cooked with whole chicken pieces, green papaya slices with chili, spinach, or malunggay leaves. The large chunks of the chicken in this dish contrast to the small pieces found in can of chicken noodle soup. On the other hand, simuwam involves similar ingredients and cooking methods as tinola, but is specifically used to refer to variants made with fish or other seafood.

Filipinos have their own styles of soups. In one recipe, binacol is a warm chicken soup cooked with coconut water and served with strips of coconut meat. In a well-known soup, La Paz Batchoy is garnished with pork innards, crushed pork cracklings, chopped vegetables, and topped with a raw egg. There is another dish with the same name that uses misua, beef heart, kidneys and intestines, but does not contain eggs or vegetables. In mami, the noodle soup is made from chicken, beef, pork, wonton dumplings, or intestines (called laman-loob). It was first prepare d by Ma Mon Luk. Filipinos have a modified version of chicken noodle soup called sotanghon, consisting of cellophane noodles, chicken, and sometimes mushrooms. In another soup, sinigang is typically made with either pork, beef, or seafood and made outstandingly sour with tamarind or other suitable ingredients. Some seafood variants can be made sour by the use of guava fruit or miso. Sinigang made from chicken is commonly referred to as sinampalukan.

Two dishes with strong noodle appearance are pancit and ispageti. Pancit can be described as a dish primarily consisting of noodles, vegetables, and slices of meat or shrimp with variations primarily distinguished by the type of noodles used. Some pancit, such as mami, molo, and la Paz-styled batchoy, are noodle soups while the "dry" varieties are comparable to chow mein in preparation. Then there is "Spaghetti" or "ispageti" in the local colloquy that is a modified version of Spaghetti Bolognese, a drastically simplified version of the Italian dish. It is made with banana k etchup instead of tomato sauce, sweetened with sugar and topped with hot dog slices.

There are several rice porridges that Filipino cooks create. One popular dish is arroz caldo which is a rice porridge cooked with chicken, ginger and sometimes saffron, garnished with spring onion s (chives) and coconut milk to make a type of gruel. Arroz caldo is the chicken version of lugaw that is a variant of the Chinese congee usually cooked with either tripe, pork, or beef, with seafood rarely being used. Another variant is goto which is an arroz caldo made with ox tripe. There is this other rice porridge called champorado which is sweet and flavored with chocolate, and would be paired with tuyo or daing.

Two other rice based dishes include arroz valenciana which is a Filipino variation of the Spanish paella an d thought to be named after the Spanish city Valencia. There is also kiampong a type of fried topped with pork pieces, chives and peanuts. It can be found in Chinese restaurants in Binondo and Manila.

A type of seafood salad known as kinilaw is made up of raw seafood such as fish or shrimp cooked only by steeping in local vinegar, sometimes with coconut milk, onions, spices and other local ingredients. It is comparable to the Peruvian ceviche.

Dominating in meatiness and toughness and chewiness, Filipinos dine on tocino, longanisa, and bistek. Tocino is a sweetened cured meat either chicken or pork and is marinated and cured for a n umber of days before being fried. Longanisa is a sweet or spicy sausage, typically made from pork though other meats can also be used, and are often colored red traditionally through the use of the anatto seed although artificial food coloring is also used to cut costs. Bistek, also known as "Filip ino Beef Steak," consists of thinly sliced beef marinated in soya sauce and kalamansi and then fried on a skillet or griddle that is typically served with onions. In another pork diet, crispy pata pork knuckles (the pata) are marinated in garlic flavored vinegar then deep fried until crispy and golden brown, with other parts of the pork leg prepared in the same way.

Lechon manok is a variant of the rotisserie chicken. Available in most major Filipino supermarkets, hole-in-the-wall stands, or restaurant chains (Andok's, Baliwag, Toto's), it is typically served with "sarsa" (sauce) made from mashed pork liver, starch sugar and spices.



Celebrity Food



In Filipino celebrations, often lechón serves as the centerpiece of the dinner table. It is usually a whole roasted suckling pig, but piglets (lechonillo, or lechon de leche) or cattle calves (lechong baka) can also be prepared in place to the popular adult pig. It is typically served with a "sarsa" (sauce) made from mashed pork liver, starch, sugar and spices or a variation that does not include pork liver.

More common in celebrations than in everyday home, lumpiang sariwa, sometimes referred to as 'fresh lumpia', are fresh spring rolls that consists of a soft crepe wrapped around a filling that can include strips of kamote (sweet potato), jicama, bean sprouts, green beans, cabbage, carrots and meat (often pork). It can be served warm or cold and typically with a sweet peanut and garlic sauce. Ukoy is shredded papaya combined with small shrimp (and occasionally bean sp routs) and fried to make shrimp patties. It is often eaten with vinegar seasoned with garlic, salt and pepper. Both lumpiang sariwa and ukoy are often accompanied together in Filipino parties.

Available mostly during the Christmas season and sold in front of churches along with bibingka, puto bumbong is a style of purple-yam flavored puto.




Side Dishes




Not eaten as the main course but rather a side dish, the process of creating itlog na pula involves duck eggs that have been cured in brine or a mixture of clay-and-salt for a few weeks, providing for its saltiness, and then later hard boiled with their shells to be later dyed with red food coloring, hence its name, to distinguish them from chicken eggs before they are sold over the shelves. There is also another food called atchara which is pickled papaya strips.

Other foods are used as food complements. One could use nata de coco which is a chewy, translucent, jelly-like food product produced by the bacterial fermentation of coconut water to serve with pandesal. One could also use kesong puti a soft white cheese made from carabao's milk but cow's milk is also used in most commercial variants for serving in a sandwich.



Exotic Foods


Some exotic dishes in the Filipino diet are camaro which are field crickets cooked in soy sauce, salt, and vinegar as it is popular in Pampanga; papaitan which is goat or beef innards stew flavored with bile that gives it a bitter (pait) taste; Soup No. 5 (Also spelled as "Soup #5") which is a soup made out of testicles which can be found in restaurants in Ongpin St., Binondo, Manila; asocena or dog meat popular in the Cordillera Administrative Region; and pinikpikan chicken where the chicken has been beaten to death to tenderize the meat and to infuse it with blood. It is then burned in fire to remove its feathers then boiled with salt and pork. The act of beating the chicken in preparation of the dish apparently violates the Philippine Animal Welfare Act 1998.

Filipino Typical Meal

Filipino cuisine is distinguished by its bold combination of sweet, sour, salty and spicy flavors, though most dishes are not typically highly spiced. While other Asian cuisines (e.g. Cantonese) may be known for a more subtle delivery and presentation, Filipino palates prefer a sudden influx of flavor. Filipino cuisine is often delivered in a single presentation, giving the participant a simultaneous visual feast, an aromatic bouquet, and a gustatory delight.

Snacking is normal, a Filipino may eat five 'meals' in a day. Dinner, while still the main meal, is smaller than other countries. Usually, either breakfast or lunch is the largest meal.

Main dishes include sinigang (pork, fish, or shrimp in tamarind soup and vegetables), bulalo (beef soup – commonly with marrow still in the beef bone – with vegetables), kare-kare (oxtail and vegetables cooked in peanut sauce), crispy pata (deep fried hog hoofs with hock sometimes included), mechado (pork cooked in tomato sauce), pochero (beef or pork cooked in tomato sauce with bananas and vegetables), kaldereta (beef or goat cooked in tomato sauce), fried or grilled chicken/porkchops/fish/squid/cuttlefish. Dinner may be accompanied by stir-fried vegetables, atchara (shredded and pickled papaya), bagoong or alamang. Desserts are usually made only for special occasions. The most popular desserts include leche flan, buko pandan (slivers of young coconut with cream and pandan flavor) or gulaman (jello).

Some dishes rely on vinegar for flavoring. Adobo is popular not solely for its splendid flavor, but also for its ability to remain fresh for days, and even improves its flavor with a day or two of storage. Tinapa is a smoke-cured fish while tuyo, daing, and dangit are corned sun-dried fishes popular for its ability not to spoil for weeks even without refrigeration.

Due to western influence, food is often eaten using utensil, e.g., forks, knives, spoons. Filipinos use their spoons to cut through meat instead of knives used in other western cultures. The traditional way of eating is with the hands, especially dry dishes such as inihaw or prito. The diner will take a bite of the main dish, then eat rice pressed into a ball with his fingers. This practice, known as kamayan, is rarely seen in urbanized areas. However, Filipinos tend to feel the spirit of kamayan when eating amidst nature during out of town trips, beach vacations, and town fiestas.

Breakfast


A traditional Filipino breakfast might include pan de sal (bread), kesong puti (white cheese), champorado (chocolate rice porridge), sinangag (fried garlic rice), meat, such astapa, longganisa, tocino, karne norte, or fish such as daing na bangus meaning salted and dried milkfish; or eggs of itlog na pula (salted duck eggs). Coffee is also commonly drunk, particularly kapeng barako, a variety of coffee produced in the mountains of Batangas noted for having a strong flavor.

Combinations dishes may include kankamtuy, a combination of kamatis (tomatoes), kanin (rice) and tuyo (dried fish), or silogs --meat most often served with sinangág (fried rice) and itlog (egg) to be consumed. The three most commonly seen silogs are tapsilog (having tapa as the meat portion), tocilog (having tocino as the meat portion), and longsilog (having longganisa as a meat portion). Other silogs exist including hotsilog (with a hot dog), bangsilog (with bangus/milkfish), dangsilog (with danggit/rabbitfish), spamsilog (with spam), adosilog (with adobo), chosilog (with chorizo), chiksilog (with chicken), cornsilog (with canned corned beef), litsilog (with lechon/litson), pakaplog (with pan de sal and kape).

Merienda


Merienda is an afternoon snack, similar to the concept of afternoon tea. If the meal is taken close to dinner, it is called merienda cena, and may serve instead of dinner.

Filipinos have a number of options to take with their traditional kape (coffee): breads (pan de sal, ensaymada, (buttery sweet rolls with cheese), and empanada (savory pastries stuffed with meat)), rice cakes (kakanin) like kutsinta, sapin-sapin, palitaw, biko, suman, bibingka, and pitsi-pitsi are served or sweets such as hopia (pastries similar to mooncakes filled with sweet bean paste) and bibingka (rich rice cakes desserts). Savory dishes might include pancit canton (stir-fried noodles), palabok (rice noodles with a shrimp-based sauce), tokwa't baboy (fried tofu with boiled pork ears in a garlic-flavored soy sauce and vinegar sauce), puto (steamed rice flour cakes), and dinuguan (a spicy stew made with pork blood).

Also, dim sum and dumplings brought over by the Fujianese people have been given a Filipino touch are often eaten for merienda. Also famous are the different street foods sold mostly skewered on bamboo sticks: squid balls, fish balls and others.

Pulutan


Pulutan is a term roughly analogous to the English term "finger food". It originally was a snack accompanied with liquor or beer but has found its way into Philippine cuisine as appetizers or, in some cases, main dishes, as in the case of sisig.

Deep fried dishes include chicharon that are pork rinds that have been salted, dried, then fried; chicharong bituka or chibab pig intestines that have been deep fried to a crisp; chicharong bulaklak or chilak similar to chicharong bituka has a bulaklak or flower appearance of the dish made from mesenteries of pig intestines; chicken skin or chink that has been deep fried until crispy.

Some grilled foods include Barbecue Isaw, chicken or pig intestines marinated and skewered; barbecue tenga pig ears are marinated and skewered; pork barbecue which is a satay marinated in a special blend; Betamax that is salted solidified pork blood which is skewered; Adidas which is grilled or sautéed chicken feet. And there is Sisig a popular pulutan made from the pork's cheek skin, ears and liver that is initially boiled, then grilled over charcoal, then minced and cooked with chopped onions, chillies, and spices.

Smaller snacks such as mani (or peanuts) often sold in the Philippines by street vendors boiled in the shell available salted or spiced or flavored with garlic. Another snack is Kropeck which is just fish crackers.

The fried Tokwa't Baboy is tofu fried with boiled pork then dipped in a garlic-flavored soy sauce or vinegar dip that is also served as a side dish to pancit luglog or pancit palabok.



Cooking Methods in the Philippines


Guisado

sautéed with garlic, onions and tomatoes


Pinirito

fried or deep fried


Inihaw

grilled over charcoals


Kinilaw

marinated in vinegar or kalamansi juice along with garlic, onions, ginger, tomato, peppers


Nilaga

boiled, sometimes with onions and black peppercorns


Sinigang

boiled with a tamarind base


Pinangat

boiled in salted water with tomatoes


Pinaksiw

cooked in vinegar and ginger or just add "all-purpose" sauce


Inadobo

cooked in soy sauce, vinegar and garlic


Ginataan

cooked with coconut milk

Melchora Aquino

also known as Tandang Sora

Early Life and Marriage


Aquino was born on January 6, 1812 in Caloocan. Aquino, daughter of a peasant couple, Juan and Valentina Aquino, never attended school. However, she was apparently literate at an early age and talented as a singer. She performed at local events as well as at Mass for her Church.

She was married to Fulgencio Ramos, a cabeza de barrio (village chief), and bore six children. Ramos died when their youngest child was seven and she was left as a single parent for their children.

Involvement in the Revolution


In her native country, Aquino operated a store, which became a refuge for the sick and wounded revolutionaries. She fed, gave medical attention to and encouraged the revolutionaries with motherly advice and prayers. Secret meetings of the Katipuneros (revolutionaries) were also held at her house. Thus she earned the name, "Mother of the Katipunan" or revolution. When the Spaniards learned about her activities and her knowledge to the whereabouts of the Katipuneros, she was asked where Andres Bonifacio was hiding but refused to conquerors steadily. She was then arrested and deported to the Mariana Islands.

After the United States took control of the Philippines in 1898, Aquino, like other exiles, returned to Philippines until her death on March 2, 1919 at the age of 107. Her remains lie in her own backyard (now as Himlayang Philipino Memorial Park, Quezon City).

Antonio Luna

Pharmacist and Great General

Family Background


Antonio Luna was born in Urbiztondo, Binondo, Manila. He was the youngest of seven siblings of Joaquin Luna and Laureana Novicio, both from wealthy families of Badoc, Ilocos Norte. His older brother, Juan Luna, was an accomplished, prize-winning painter who studied in the Madrid Escuela de Bellas Artes de San Fernando.

Education


His early schooling was at the Ateneo Municipal de Manila, where he received his Bachelor of Arts degree in 1881. He went on to study literature and chemistry at the University of Santo Tomas, where he won first prize for a paper in chemistry titled Two Fundamental Bodies of Chemistry. On the invitation of his brother Juan, he continued his studies in Spain, obtaining the degree of Licentiate in Pharmacy from the University of Barcelona. He pursued further studies and in 1890 obtained the degree of Doctor of Pharmacy from the Universidad Central de Madrid.

Reform Propagandist


In Spain, he contributed to the La Solidaridad periodical, published by the reformist movement of the elite Filipino students in Spain. He wrote a piece titled Impressions which dealt with Spanish customs and idiosyncrasies under the pen-name "Taga-ilog". He was active as researcher in the scientific community in Spain, and wrote a scientific treatise on malaria titled El Hematozoario del Paludismo (Malaria), which was favorably received in the scientific community. He then went to Belgium and France, and worked as assistant to Dr. Latteaux and Dr. Laffen. In recognition of his ability, he was appointed commissioner by the Spanish government to study tropical and communicable diseases. In 1894, he went back to the Philippines and worked in the civil service as a chemist. Like José Rizal and other leaders, he was in favor of reforms rather than independence as goal to be attained. Because of his participation in the reform movement, he was charged with illegal association and was deported to Spain in 1897, where he was imprisoned at the Carcel Modelo in Madrid. On his release, he went to Belgium and studied military tactics and strategy under General Gerard Leman. He returned to the Philippines in 1898.

Philippine-American war and Death


At the outbreak of the Philippine-American War, he was appointed by General Emilio Aguinaldo as Chief of War Operations on September 26, 1898 and assigned the rank of brigadier general. He saw the need for a military school, so that he established a military academy at Malolos and recruited former officers of the 1896 revolution for training. He proved to be a strict disciplinarian and thereby alienated many in the ranks of the soldiers. An example of this occurred during the "Fall of Calumpit" wherein Luna ordered Tomas Mascardo to send troops to beef up his defences. However, Mascardo ignored orders;an angry Luna left the frontlines to confront Mascardo. When he came back, Americans already defeated his defenses by the Bagbag River. He fought gallantly at battles in Bulacan, Pampanga, and Nueva Ecija against the better equipped US forces. In the battle at Caloocan, the Kawit Battalion from Cavite refused to attack when given the order. Because of this, he disarmed them and relieved them of duties.

On June 2, 1899 he received a telegram from Aguinaldo, ordering him to proceed to Cabanatuan, Nueva Ecija for a conference the next day. When he arrived at the Cabanatuan Catholic Church convent on June 5, the designated venue, Aguinaldo was not there. As he was about to depart, he was shot, then stabbed to death by Aguinaldo's men at the stairs of the convent. He was hurriedly buried in the churchyard, after which Aguinaldo relieved Luna's officers and men from the field.

The demise of Luna, the most brilliant and capable of the Filipino generals, was a decisive factor in the fight against the American forces. Subsequently, Aguinaldo suffered successive, disastrous losses in the field, retreating towards northern Luzon. In less than two years, Aguinaldo was captured in Isabela by American forces led by General Funston, and later made to pledge allegiance to the United States.

Juan Luna

he was the one who painted the famous "Spolarium"

Early Life


He was born in Badoc, Ilocos Norte, Philippines, the third child of seven children. He is a descendant of the Cala Family of the Philippines. Luna obtained his Bachelor of Arts degree from the Ateneo Municipal de Manila in 1874. He showed artistic promise early on and was encouraged to take up painting and traveled to Rome to study the masters. He settled in Paris and married Maria de la Paz, a prominent Filipina from the Mestizaje family of Pardo de Tavera. In a rage over his suspicion of infidelity on the part of his wife, he mercilessly shot her and her mother to death in September 1892. Tried by a French court and subsequently convicted in 1893, he was sentenced to pay the victims' immediate kin but one franc each for their loss, as the court had deemed the murders a crime of passion. In 1894, Luna returned to the Philippines after an absence of almost 20 years.

His most famous piece, The Spoliarium, for which he won gold prize at the 1884 Madrid Exposition, is currently in the National Museum in Manila.

Upon his return to the Philippines, he was arrested two years later under suspicion of sedition. He was later pardoned. His brother, General Antonio Luna, was an active participant in the insurgent Katipunan movement.

In 1898, after the United States defeated Spain in the Spanish-American War, the fledgling Philippine Republic appointed him as a delegate to the Paris convention and to Washington, D.C. to help gain recognition of Philippine sovereignty and independence.

Luna died of heart failure in Hong Kong on December 7, 1899. He was rushing home from Europe after hearing of his brother’s assassination by members of the Katipunan.

Apolinario Mabini

known as the Sublime Paralytic


In his youth, Mabini studied at a school in Tanauan City, then conducted by a certain Simplicio Avelino. Much later, he transferred to a school conducted by the famous pedagogue, Father Valerio Malabanan. He continued his studies at the Colegio de San Juan de Letran, where he received his Bachelor of Arts and the title Professor of Latin, and at the University of Santo Tomas, where he received his law degree in 1894.

His dream to defend the poor led him to forsake the priesthood, which his mother wanted him to take. Early in 1896, he contracted an illness, probably infantile paralysis, that led to the paralysis of his lower limbs. When the revolution broke out the same year, the Spanish authorities, suspecting that he was somehow involved in the disturbance, arrested him. The fact, however, that he could not move his lower limbs showed the Spaniards that they had made a mistake. He was released and sent to the San Juan de Dios Hospital.

Mabini, it must be noted, was not entirely without nationalistic aspirations, for he was a member of Rizal's La Liga Filipina and worked secretly for the introduction of reforms in the administration of government. In 1898, while vacationing in Los Baños, Laguna, Emilio Aguinaldo sent for him. It took hundreds of men taking turns carrying his hammock to portage Mabini to Kawit. Aguinaldo, upon seeing Mabini's physical condition, must have entertained second thoughts in calling for his help.

Mabini was most active in the revolution in 1898, when he served as the chief adviser for General Aguinaldo. He drafted decrees and crafted the first ever constitution in Asia for the First Philippine Republic, including the framework of the revolutionary government which was implemented in Malolos in 1899.

Apolinario Mabini was appointed prime minister and was also foreign minister of the newly independent dictatorial government of Emilio Aguinaldo on January 2, 1899. Eventually, the government declared the first Philippine republic in appropriate ceremonies on January 23, 1899. Mabini then led the first cabinet of the republic.

Mabini found himself in the center of the most critical period in the new country's history, grappling with problems until then unimagined. Most notable of these were his negotiations with Americans, which began on March 6, 1899. The United States and the new Philippine Republic were embroiled in extremely contentious and eventually violent confrontations. During the negotiations for peace, Americans proffered Mabini autonomy for Aguinaldo's new government, but the talks failed because Mabini’s conditions included a ceasefire, which was rejected. Mabini negotiated once again, seeking for an armistice instead, but the talks failed yet again. Eventually, feeling that the Americans were not negotiating 'bona fide,' he forswore the Americans, rallied the people, and supported war. He resigned from government on May 7, 1899.

Later Life


He also joined the fraternity of Freemasonry.

On December 10, 1899, he was captured by Americans at Cuyapo, Nueva Ecija, but was later set free. In 1901, he was exiled to Guam, along with scores of revolutionists Americans referred to as 'insurrectos,' but returned home in 1903, after agreeing to take the oath of allegiance to the United States. He took the oath on February 26, 1903 before the Collector of Customs.

On May 13, 1903 Mabini died of cholera in Manila.

Gregorio Del Pilar

youngest Filipino General

Early Life and Education


Born on November 14, 1875 to Fernando H. del Pilar and Felipa Sempio of Barangay San Jose, Bulacan, Bulacan, del Pilar was the nephew of propagandist Marcelo H. del Pilar and Toribio H. del Pilar, who was exiled to Guam for his involvement in the 1872 Cavite Mutiny.

"Goyong", as he was casually known, studied at the Ateneo Municipal de Manila where he finished his Bachelor’s degree in 1896, at the age of 20. When the Philippine Revolution against Spanish rule broke out in August under the leadership of Andres Bonifacio, del Pilar joined the insurgency. He distinguished himself as a field commander while fighting Spanish garrisons in Bulacan.

Boy General


He later joined General Emilio Aguinaldo, who had gained control of the movement, in Hong Kong after the truce at Biak-na-Bato. During the Spanish American War, Aguinaldo returned to the Philippines and established the government of the First Philippine Republic. He appointed del Pilar section leader of the revolutionary forces in Bulacan and Nueva Ecija. On June 1, del Pilar landed in Bulacan with rifles purchased in Hong Kong, quickly laying siege on the Spanish forces in the province. When the Spaniards surrendered to del Pilar, he brought his men to Caloocan, Manila to support the other troops battling the Spaniards there.

When the Philippine-American War broke-out on February 1899, del Pilar led his troops to a short victory over Major Franklin Bell in the first phase of the Battle of Quingua on April 23, 1899, in which his forces repelled a cavalry charge and killed the highly respected Colonel John M. Stotsenburg, after whom Clark Air Base was originally named (Fort Stotsenburg).

Death


On December 2, 1899, del Pilar led 60 Filipino soldiers of Aguinaldo's rear guard in the Battle of Tirad Pass against the "Texas Regiment", the 33rd Infantry Regiment of the United States led by Peyton C. March. A delaying action to cover Aguinaldo's retreat, the five-hour standoff resulted in del Pilar's death due to a shot to the neck (at the height or end of the fighting, depending on eyewitness accounts). Del Pilar's body was later despoiled and looted by the victorious Americans soldiers.

Del Pilar's body lay unburied for days, exposed to the elements. While retracing the trail, an American officer, Lt. Dennis P. Quinlan, gave the body a traditional U.S. military burial. Upon del Pilar's tombstone, Quinlan inscribed, "An Officer and a Gentleman".

In 1930, del Pilar's body was exhumed and was identified by the gold tooth and braces he had installed while in exile in Hong Kong.

Emilio Jacinto

known as the Brain of Katipunan

Biography


Jacinto was fluent in both Spanish and Tagalog, but preferred to speak in Spanish. He attended San Juan de Letran College, and later transferred to the University of Santo Tomas to study law. He did not finish college and, at the age of 20, joined the secret society called Katipunan. He became the advisor on fiscal matters and secretary to Andrés Bonifacio.

Jacinto also wrote for the Katipunan newspaper called Kalayaan, which translates to Freedom in Filipino. He wrote in the newspaper under the pen name Dimasilaw, and used the alias Pingkian in the Katipunan. Emilio Jacinto was also the author of the Kartilya ng Katipunan.

After Bonifacio's death, Jacinto continued fighting the Spaniards, though he never joined the forces of General Emilio Aguinaldo. He contracted malaria and died on April 16, 1899, in Majayjay, Laguna, at the age of 23. His remains were later transferred to the Manila North Cemetery.

Andres Bonifacio

known as the Father of Katipunan

Early Life


Bonifacio was born to a Tagalog father by the name of Santiago Bonifacio, and a Spanish mestiza mother, Catalina de Castro of Zambales, in Tondo, Manila. His father was a cabeza de barangay (a leading barangay official). His mother died of tuberculosis in 1881 and his father followed suit a year after. According to popular anecdote, he peddled canes and fans to support his family.

He worked as a clerk and sales agent for Fleming and Company, a British trading firm, then transferred to Fressell and Company, a German firm, both in Manila. He married twice - his first wife was a woman named Monica, who died of leprosy, and Gregoria de Jesus, daughter of a wealthy family in Binondo. They were married in Binondo Church, despite her parents' objections.

Bonifacio, though projected by detractors as being illiterate, was in fact highly literate. He was taught Spanish since childhood owing to her mother's ancestry. He was also a fervent reader - his favorites were books on the French Revolution, The Lives of the Presidents of the United States of America, Victor Hugo's 'Les Miserables' (which he translated into Tagalog), and Jose Rizal's 'Noli me Tangere' and 'El Filibusterismo'. Furthermore, the title 'bodeguero' would have the modern equivalent of a warehouse/inventory keeper, a job that would require adequate to above-average intelligence. He also wrote various revolutionary articles, manifestos, and poems, the most famous being 'Pag-ibig sa Tinubuang Lupa'.

He was a Freemason. He also joined Rizal's La Liga Filipina (Spanish "The Philippine League"), a society that called for reforms in Spanish rule. However, the Liga was disbanded shortly after Rizal was arrested and deported to the town of Dapitan in Mindanao a day after the group's only meeting.

After the La Liga was disbanded, Bonifacio realized the futility of peaceful struggle even for mere reforms. He then founded the underground organization that in the coming years would grow and send shock to the Spanish colonial rule and would drastically change the course of Philippine history and would give pride to every Filipino - the Katipunan. With his wife Gregoria de Jesus and his uncle one day in a humble hut in Manila, Bonifacio resolved to change history with just a single pistol in hand for a start.

Controversy


Some historians, like Renato Constantino, see him as a champion of the masses who was slighted by ambitious members of the upper class. Others like Gregorio Zaide, favor Aguinaldo and company over him. Glenn Anthony May goes as far as saying that his role as a national hero was largely invented. Also, until now, there is debate whether he should be considered the first Philippine President instead of Aguinaldo and the national hero instead of Rizal.

Some analytical historians like Alejo Villanueva claim that what happened at Tejeros, Cavite was actually a coup de etat to wrest power from Bonifacio by the bourgeois or upper class represented by Aguinaldo. (Aguinaldo and members of his class enjoyed more privilege status even before the revolution. They would not allow a victorious president Bonifacio ordering land and wealth distribution as his first decree.) Hence, the Tejeros Convention was a farce intended to lure Bonifacio to the Caviteño territory. The presidential election wasn't a national election at all. Participation in the election primarily came from Caviteños. The other provinces in revolt, such as Bulacan, Pampanga, Tarlac, Laguna, and Batangas, were not participants. Bonifacio, who was too fueled with idealism, was too naive to understand maneuvering politicians. Had Bonifacio been able to get back to Manila he could have charged Aguinaldo and other Caviteño officers with treason and Philippine history would have taken a very different track. Bonifacio was not allowed to get out of Cavite. He was summarily tried then executed promptly at a mountain in Maragondon, Cavite for treason.

Jose Rizal

Philippine's National Hero

The seventh of eleven children born to a middle class family in the town of Calamba, Laguna, Rizal attended the Ateneo Municipal de Manila, earning a Bachelor of Arts degree sobresaliente. He enrolled in the University of Santo Tomas Faculty of Medicine and Surgery and the University of Santo Tomas Faculty of Philosophy and Letters and then traveled alone to Madrid, Spain, where he studied medicine at the Universidad Central de Madrid, earning the degree of Licentiate in Medicine. He attended the University of Paris and earned a second doctorate at the University of Heidelberg. Rizal was a polyglot conversant in at least ten languages. He was a prolific poet, essayist, diarist, correspondent, and novelist whose most famous works were his two novels, Noli me Tangere and El Filibusterismo. These are social commentaries on the Philippines that formed the nucleus of literature that inspired dissent among peaceful reformists and spurred the militancy of armed revolutionaries against 333 years of Spanish rule.

As a political figure, Rizal was the founder of La Liga Filipina, a civic organization that subsequently gave birth to the Katipunan led by Andres Bonifacio and Emilio Aguinaldo. He was a proponent of institutional reforms by peaceful means rather than by violent revolution. The general consensus among Rizal scholars, however, attributed his martyred death as the catalyst that precipitated the Philippine Revolution.

Family


José Rizal's parents, Francisco Engracio Rizal Mercado y Alejandra II (1818-1898) and Teodora Morales Alonso Realonda y Quintos (1827-1911), were prosperous farmers who were granted lease of a hacienda and an accompanying rice farm by the Dominicans. Rizal was the seventh child of their eleven children namely: Saturnina (1850-1913), Paciano (1851-1930), Narcisa (1852-1939), Olympia (1855-1887), Lucia (1857-1919), Maria (1859-1945), José Protasio (1861-1896), Concepcion (1862-1865), Josefa (1865-1945), Trinidad (1868-1951) and Soledad (1870-1929).

Rizal was a 6th-generation patrilineal descendant of Domingo Lam-co, a Chinese immigrant entrepreneur who sailed to the Philippines from Jinjiang, Quanzhou in the mid-17th century. Lam-co married Inez de la Rosa, a Sangley native of Luzon. To free his descendants from the anti-Chinese animosity of the Spanish authorities, Lam-co changed the family surname to the Spanish surname "Mercado" (market) to indicate their Chinese merchant roots. In 1849, Governor-General Narciso Claveria ordered all Filipino families to choose new surnames from a list of Spanish family names. José's father Francisco adopted the surname "Rizal" (originally Ricial, the green of young growth or green fields), which was suggested to him by a provincial governor, or as José had described him, "a friend of the family". However, the name change caused confusion in the business affairs of Francisco, most of which were begun under the old name. After a few years, he settled on the name "Rizal Mercado" as a compromise, but usually just used the original surname "Mercado". Upon enrolling at the Ateneo Municipal de Manila, José dropped the last three names that make up his full name, at the advice of his brother, Paciano Rizal Mercado, and the Rizal Mercado family, thus rendering his name as "José Protasio Rizal". Of this, Rizal writes: "My family never paid much attention, but now I had to use it, thus giving me the appearance of an illegitimate child!" This was to enable him to travel freely and disassociate him from his brother, who had gained notoriety with his earlier links with Filipino priests who were sentenced to death as subversives. From early childhood, José and Paciano were already advancing unheard-of political ideas of freedom and individual rights which infuriated the authorities. Despite the name change, Jose, as "Rizal" soon distinguishes himself in poetry writing contests, impressing his professors with his facility with Castilian and other foreign languages, and later, in writing essays that are critical of the Spanish historical accounts of the pre-colonial Philippine societies. Indeed, by 1891, the year he finished his El Filibusterismo, this second surname had become so well known that, as he writes to another friend, "All my family now carry the name Rizal instead of Mercado because the name Rizal means persecution! Good! I too want to join them and be worthy of this family name..." José became the focal point by which the family became known, at least from the point of view of colonial authorities.

Aside from indigenous Filipino and Chinese ancestry, recent genealogical research has found that José had traces of Spanish, and Japanese ancestry. His maternal great-great-grandfather (Teodora's great-grandfather) was Eugenio Ursua, a descendant of Japanese settlers, who married a Filipina named Benigna. These two gave birth to Regina Ursua who married a Sangley mestizo from Pangasinán named Atty. Manuel de Quintos, Teodora's grandfather. Their daughter Brígida de Quintos married a Spanish mestizo named Lorenzo Alberto Alonso, the father of Teodora. Austin Craig mentions Lakandula, Rajah of Tondo at the time of the Spanish incursion, also as an ancestor.

Education


Rizal first studied under the tutelage of Justiniano Aquino Cruz in Biñan, Laguna. He was sent to Manila and enrolled at the Ateneo Municipal de Manila. He received his Bachelor of Arts in 1877 and graduated as one of the nine students in his class declared sobresaliente or outstanding. He continued his education at the Ateneo Municipal de Manila to obtain a land surveyor and assessor's degree, and at the same time at the University of Santo Tomas Faculty of Philosophy and Letters where he studied Philosophy and Letters. Upon learning that his mother was going blind, he decided to study medicine specializing in ophthalmology at the University of Santo Tomas Faculty of Medicine and Surgery but did not complete the program claiming discrimination made by the Spanish Dominican friars against the Filipino students.

Without his parents' knowledge and consent, but secretly supported by his brother Paciano, he traveled alone to Europe: Madrid in May 1882 and studied medicine at the Universidad Central de Madrid where he earned the degree, Licentiate in Medicine. His education continued at the University of Paris and the University of Heidelberg where he earned a second doctorate. In Berlin, he was inducted as a member of the Berlin Ethnological Society and the Berlin Anthropological Society under the patronage of the famous pathologist Rudolf Virchow. Following custom, he delivered an address in German in April 1887 before the anthropological society on the orthography and structure of the Tagalog language. He left Heidelberg a poem, "A las flores del Heidelberg," which was both an evocation and a prayer for the welfare of his native land and the unification of common values between East and West.

Rizal's multifacetedness was described by his German friend, Dr. Adolf Meyer, as "stupendous". Documented studies show him to be a polymath with the ability to master various skills and subjects. He was an ophthalmologist, sculptor, painter, educator, farmer, historian, playwright and journalist. Besides poetry and creative writing, he dabbled, with varying degrees of expertise, in architecture, cartography, economics, ethnology, anthropology, sociology, dramatics, martial arts, fencing and pistol shooting. He was a Freemason.

Writings


José Rizal's most famous works were his two novels, Noli me Tangere and El Filibusterismo. These writings angered both the Spaniards and the hispanicized Filipinos due to their insulting symbolism. They are highly critical of Spanish friars and the atrocities committed in the name of the Church. Rizal's first critic was Ferdinand Blumentritt, a Sudetan-German professor and historian whose first reaction was of misgiving. Blumentritt was the grandson of the Imperial Treasurer at Vienna and a staunch defender of the Catholic faith. This did not dissuade him however from writing the preface of El Filibusterismo after he had translated Noli me Tangere into German. Noli was published in Berlin (1887) and Fili in Ghent (1891) with funds borrowed largely from Rizal's friends. As Blumentritt had warned, these led to Rizal's prosecution as the inciter of revolution and eventually, to a military trial and execution. The intended consequence of teaching the natives where they stood brought about an adverse reaction, as the Philippine Revolution of 1896 took off virulently thereafter. As leader of the reform movement of Filipino students in Spain, he contributed essays, allegories, poems, and editorials to the Spanish newspaper La Solidaridad in Barcelona. The core of his writings centers on liberal and progressive ideas of individual rights and freedom; specifically, rights for the Filipino people. He shared the same sentiments with members of the movement: that the Philippines is battling, in Rizal's own words, "a double-faced Goliath"--corrupt friars and bad government. His commentaries reiterate the following agenda:

- That the Philippines be a province of Spain
- Representation in the Cortes
- Filipino priests instead of Spanish friars--Augustinians, Dominicans, and Franciscans--in parishes and remote sitios
- Freedom of assembly and speech
- Equal rights before the law (for both Filipino and Spanish plaintiffs)

The colonial authorities in the Philippines did not favor these reforms even if they were more openly endorsed by Spanish intellectuals like Morayta, Unamuno, Margall and others.

Upon his return to Manila in 1892, he formed a civic movement called La Liga Filipina. The league advocated these moderate social reforms through legal means, but was disbanded by the governor. At that time, he had already been declared an enemy of the state by the Spanish authorities because of the publication of his novels.


Persecution


Wenceslao Retana, a political commentator in Spain, had slighted Rizal by a reference to his parents and promptly apologized after being challenged to a duel. Aware that Rizal was a better swordsman, he issued an apology, became an admirer, and wrote Rizal's first European biography. Memory as a ten-year old of his mother's treatment at the hands of the civil authorities, with the approval of the Church prelates, hurt so much as to explain his reaction to Retana. The incident stemmed from an accusation that Rizal's mother, Teodora, tried to poison the wife of a cousin when she claimed she only intervened to help. Without a hearing she was ordered to prison in Santa Cruz in 1871, and made to walk the ten miles (16 km) from Calamba. She was released after two and a half years of appeals to the highest court.

After writing Noli me Tangere, among the numerous other poems, plays and tracts he had already written, he gained further notoriety with the Spaniards. Against the advice of relatives and friends, he came back to the Philippines to aid his family which was in dispute with the Dominican landlords. In 1887, he wrote a petition on behalf of the tenants of Calamba and later that year led them to speak out against friar attempts to raise rent. They initiated a litigation which resulted in the Dominicans evicting them from their homes, including the Rizal family. Eventually, General Valeriano Weyler had the buildings on the farm torn down.

In 1896 while Rizal was in prison in Fort Santiago, his brother Paciano was tortured by Spaniards trying to extract evidence of Jose's complicity in the revolution. Two officers took turns applying pins under Paciano's fingernails; with his hands bound behind him and raised several feet, he was dropped repeatedly until he lost consciousness.

Last Days


By 1896, the rebellion fomented by the Katipunan, a militant secret society, had become a full blown revolution, proving to be a nationwide uprising and leading to the first proclamation of a democratic republic in Asia. To dissociate himself, Rizal volunteered and was given leave by the Spanish Governor General Ramon Blanco to serve in Cuba to minister to victims of yellow fever. Blanco later was to present his sash and sword to the Rizal family as an apology.

Before he left Dapitan, he issued a manifesto disavowing the revolution and declaring that the education of Filipinos and their achievement of a national identity were prerequisites to freedom. Rizal was arrested en route, imprisoned in Barcelona, and sent back to Manila to stand trial. He was implicated in the revolution through his association with members of the Katipunan and was to be tried before a court-martial for rebellion, sedition, and conspiracy. During the entire passage, he was unchained, no Spaniard laid a hand on him, and had many opportunities to escape but refused to do so. Rizal was convicted on all three charges and sentenced to death. Governor General Blanco, who was sympathetic to Rizal, had been forced out of office, and the friars had intercalated Polavieja in his stead, sealing Rizal's fate.

His poem, undated and believed to be written on the day before his execution, was hidden in an alcohol stove and later handed to his family with his few remaining possessions, including the final letters and his last bequests. Within hearing of the Spanish guards he reminded his sisters in English, "There is something inside it," referring to the alcohol stove given by the Pardo de Taveras which was to be returned after his execution, thereby emphasizing the importance of the poem. This instruction was followed by another, "Look in my shoes," in which another item was secreted. Exhumation of his remains in August, 1898, under American rule, revealed he had been uncoffined, his burial not on sanctified ground granted the 'confessed' faithful, and whatever was in his shoes had disintegrated.

In his letter to his family he wrote: "Treat our aged parents as you would wish to be treated...Love them greatly in memory of me.30 December 1896."

In his final letter, to the Sudeten-German professor Ferdinand Blumentritt - Tomorrow at 7, I shall be shot; but I am innocent of the crime of rebellion. He had to reassure him that he had not turned revolutionary as he once considered being, and that he shared his ideals to the very end. He also bequeathed a book personally bound by him in Dapitan to his 'best and dearest friend.' When Blumentritt received it he broke down and wept.